Интервью
Stefani » Вт апр 08, 2008 4:09
Да у него отличная крутка. Если Стеф не идет на 3А, то потои морально не готов ко всем прыжкам, а это ломает всю его программу. 4-ой у него стабилен. Просто 3А один из самых сложных прыжков. Он делается не толчком, а махом ноги. Толи у Стефа этого маха не хватает.... И вообще он боится этого прыжка. Уже в самом начале зажимается и не идет на этот прыжок. Да и если разобратся 3А, это не тройной прыжок, а прыжок в 3 с половиной оборота. Vik, конечно эти объяснения не для тебя. Это для неосведомленной части нашего форума.
Последний раз редактировалось Stefani Ср апр 09, 2008 3:49, всего редактировалось 1 раз.
Кто ищет, тот всегда найдёт. (с)
-
Stefani - Сообщения: 752
- Зарегистрирован: Чт янв 31, 2008 6:01
- Откуда: г. Новосибирск
Stefani » Ср апр 09, 2008 3:52
Если честно, то я не могу уже всё это читать. Это как ковырять кровоточащую рану. Стараюсь забыть как страшный сон. Давайте не будем уже про Гетерборг!
Извините, если погорячилась...
Извините, если погорячилась...
Кто ищет, тот всегда найдёт. (с)
-
Stefani - Сообщения: 752
- Зарегистрирован: Чт янв 31, 2008 6:01
- Откуда: г. Новосибирск
rita » Вт апр 22, 2008 8:57
Re: talk about Stйphane in german
« Reply #1320 Yesterday at 10:24pm »
--------------------------------------------------------------------------------
http://headlines.yahoo.co.jp/hl?a=20080 ... spnavi-spo
21. April
Deutsche Ьbersetzung des japanischen Artikels (Teamwork Japan-Schweiz)
Mцnchsfrisur Lambiel, nach zweimaligen Training mit 4T Erfolg am Japan Open
Lambiel (Schweiz), der mit nach hinten gestrichenen Haaren bekannt war, ist am 20. April am Japan Open mit einer Mцnchsfrisur aufgetreten und hat damit Fans ьberrascht. Lambiel, der Rivale von Takahashi (der nach dem Top der Welt strebt), war fьr Team Europa angetreten und hat das Programm Poeta, das er seit 2 Jahren als Kьrprogramm lдuft, aufgefьhrt. Nach der WM war er Off-Ice und hatte fьr diesen Anlass nur 2 Mal trainiert. Wie er sagt „ Weil ich das Programm schon lange Zeit laufe, muss ich nur noch das Feeling zurьck rufen“, und hat mit 4T ein hohes Niveau gezeigt.
Obwohl Team Europa auf dem 2ten Platz lag (gewonnen hat Team Japan), war er an der Presskonferenz nach dem Wettkampf gut gelaunt und auf die Frage nach der neuen Frisur antwortete er: „einerseits ist es ein re-fresh fьr den kommenden Sommer, dazu suche ich immer Verдnderung oder einen neuen Stil. Die Saison mit Flamenco ist auch beendet. Ich glaube, bis jetzt konnte man wegen meinen langen Haaren mein Gesicht nicht gut sehen aber jetzt sieht man es gut, oder? Steht sie mir gut?„
Die Programme fьr die kommende Saison sind noch offen „sogar wo und wann das nдchste Training stattfindet, ist noch unbestimmt.“ sagte er, aber plant im Sommer nach Japan zu kommen.
Am diesen Tag ist er den Flamenco, den er eigentlich schon mit dem Saisonende beendet hatte, mit der Mцnchsfrisur gelaufen. Achten wir aufmerksam darauf, ob die kommende Saison auch mit einem neuen Programm eine Imageдnderung bringt
http://absoluteskating.proboards37.com/ ... 51&page=89
Поняла по гуглю что тренировался Стфе перед Японией 2 раза,про дальнейшие тренирорвки ничего пока не ясно,кокетничал о прическе
Умные люди,что там еще???
« Reply #1320 Yesterday at 10:24pm »
--------------------------------------------------------------------------------
http://headlines.yahoo.co.jp/hl?a=20080 ... spnavi-spo
21. April
Deutsche Ьbersetzung des japanischen Artikels (Teamwork Japan-Schweiz)
Mцnchsfrisur Lambiel, nach zweimaligen Training mit 4T Erfolg am Japan Open
Lambiel (Schweiz), der mit nach hinten gestrichenen Haaren bekannt war, ist am 20. April am Japan Open mit einer Mцnchsfrisur aufgetreten und hat damit Fans ьberrascht. Lambiel, der Rivale von Takahashi (der nach dem Top der Welt strebt), war fьr Team Europa angetreten und hat das Programm Poeta, das er seit 2 Jahren als Kьrprogramm lдuft, aufgefьhrt. Nach der WM war er Off-Ice und hatte fьr diesen Anlass nur 2 Mal trainiert. Wie er sagt „ Weil ich das Programm schon lange Zeit laufe, muss ich nur noch das Feeling zurьck rufen“, und hat mit 4T ein hohes Niveau gezeigt.
Obwohl Team Europa auf dem 2ten Platz lag (gewonnen hat Team Japan), war er an der Presskonferenz nach dem Wettkampf gut gelaunt und auf die Frage nach der neuen Frisur antwortete er: „einerseits ist es ein re-fresh fьr den kommenden Sommer, dazu suche ich immer Verдnderung oder einen neuen Stil. Die Saison mit Flamenco ist auch beendet. Ich glaube, bis jetzt konnte man wegen meinen langen Haaren mein Gesicht nicht gut sehen aber jetzt sieht man es gut, oder? Steht sie mir gut?„
Die Programme fьr die kommende Saison sind noch offen „sogar wo und wann das nдchste Training stattfindet, ist noch unbestimmt.“ sagte er, aber plant im Sommer nach Japan zu kommen.
Am diesen Tag ist er den Flamenco, den er eigentlich schon mit dem Saisonende beendet hatte, mit der Mцnchsfrisur gelaufen. Achten wir aufmerksam darauf, ob die kommende Saison auch mit einem neuen Programm eine Imageдnderung bringt
http://absoluteskating.proboards37.com/ ... 51&page=89
Поняла по гуглю что тренировался Стфе перед Японией 2 раза,про дальнейшие тренирорвки ничего пока не ясно,кокетничал о прическе
Умные люди,что там еще???
- rita
- Сообщения: 467
- Зарегистрирован: Пн янв 22, 2007 14:31
care bear » Вт апр 22, 2008 12:25
Die Programme für die kommende Saison sind noch offen „sogar wo und wann das nächste Training stattfindet, ist noch unbestimmt.“ sagte er, aber plant im Sommer nach Japan zu kommen.
О новых программах пока ничего неизвестно. Также неизвестно где и когда состоятся тренировки. Планирует приехать летом в Японию.
Auf die Frage nach der neuen Frisur antwortete er: „einerseits ist es ein re-fresh für den kommenden Sommer,dazu suche ich immer Veränderung oder einen neuen Stil.
О прическе сказал, что это с одной стороны погдотовка к лету, и кроме того он всегда ищет изменения или новый стиль.
Имхо, курс Торонто к Орсеру.
Поправила, неточность в переводе была.
О новых программах пока ничего неизвестно. Также неизвестно где и когда состоятся тренировки. Планирует приехать летом в Японию.
Auf die Frage nach der neuen Frisur antwortete er: „einerseits ist es ein re-fresh für den kommenden Sommer,dazu suche ich immer Veränderung oder einen neuen Stil.
О прическе сказал, что это с одной стороны погдотовка к лету, и кроме того он всегда ищет изменения или новый стиль.
Имхо, курс Торонто к Орсеру.
Поправила, неточность в переводе была.
Последний раз редактировалось care bear Вт апр 22, 2008 12:45, всего редактировалось 3 раз(а).
- care bear
- Сообщения: 183
- Зарегистрирован: Сб дек 29, 2007 16:42
***GESTIRN*** » Вт апр 22, 2008 12:35
care bear писал(а):Die Programme für die kommende Saison sind noch offen „sogar wo und wann das nächste Training stattfindet, ist noch unbestimmt.“ sagte er, aber plant im Sommer nach Japan zu kommen.
О новых программах пока ничего неизвестно. Также неизвестно где и когда состоятся тренировки. Планирует приехать летом в Японию.
О прическе сказал, что это погдотовка к лету, а также поиск нового стиля, грядут изменения
Имхо, курс Торонто к Орсеру.
спасибо за инфу!!!
вот этого не надо 
...времяя уже не то, чтоб что-то искать :-/////17 августа-Рафа выигрывает Олимпийские Игры в Пекине.
18 августа-он стал теннисистом №1 в мире
1 февраля 2009- Рафа выигрывает свой первый Australian Open и становится 1 испанцем, которому удалось выиграть этот ТБШ
18 августа-он стал теннисистом №1 в мире
1 февраля 2009- Рафа выигрывает свой первый Australian Open и становится 1 испанцем, которому удалось выиграть этот ТБШ
-
***GESTIRN*** - Сообщения: 673
- Зарегистрирован: Чт мар 20, 2008 20:36
Vik » Вт апр 22, 2008 13:32
После ЧМ перешёл в режим off-ice - тренировался только два раза (я так понимаю, на льду).
Ещё о причёске: "Мне кажется, до сих пор из-за моих длинных волос люди не могли как следует рассмотреть моё лицо, но теперь его хорошо видно. Мне идёт?"
Ещё о причёске: "Мне кажется, до сих пор из-за моих длинных волос люди не могли как следует рассмотреть моё лицо, но теперь его хорошо видно. Мне идёт?"
Последний раз редактировалось Vik Вт апр 22, 2008 14:03, всего редактировалось 1 раз.
-
Vik - Сообщения: 1796
- Зарегистрирован: Вс окт 29, 2006 23:38
- Откуда: Санкт-Петербург
***GESTIRN*** » Вт апр 22, 2008 13:55
да ну))) нашел оправданиеVik писал(а):После ЧМ перешёл в режим off-ice - тренировался только два раза (я так понимаю, на льду).
Ещё о причёске: "Мне кажется, до сих пор из-за моих длинных волос люди не могли как следует расссмотреть моё лицо, но теперь его хорошо видно. Мне идёт?"
мы рассмотрели все
мож6ет он хочет еще что-то показать?
может еще и штаны на какой-то из вечерин снимет, чтоб люди рассмоетрели его ноги?!
17 августа-Рафа выигрывает Олимпийские Игры в Пекине.
18 августа-он стал теннисистом №1 в мире
1 февраля 2009- Рафа выигрывает свой первый Australian Open и становится 1 испанцем, которому удалось выиграть этот ТБШ
18 августа-он стал теннисистом №1 в мире
1 февраля 2009- Рафа выигрывает свой первый Australian Open и становится 1 испанцем, которому удалось выиграть этот ТБШ
-
***GESTIRN*** - Сообщения: 673
- Зарегистрирован: Чт мар 20, 2008 20:36
rita » Вт апр 22, 2008 14:20
Vik писал(а):После ЧМ перешёл в режим off-ice - тренировался только два раза (я так понимаю, на льду).
Ещё о причёске: "Мне кажется, до сих пор из-за моих длинных волос люди не могли как следует рассмотреть моё лицо, но теперь его хорошо видно. Мне идёт?"
СПАСИБО ЗА ПЕРЕВОД,ВИК И CARE BEAR!!
- rita
- Сообщения: 467
- Зарегистрирован: Пн янв 22, 2007 14:31
Isla Bonita » Вт апр 22, 2008 15:19
Stefani писал(а):Ну какой дурашка! Да мы его лицо уже так рассмотрели, что оно нам по ночам снится! Всё же какой ещё ребенок!
Stefani, зря ты его все за маленького держишь, все-таки он уже совсем не дитя, по нему видно, что он вполне зрелая сложившаяся личность, а насчет причесочки это он просто кокетничает, шутки у него такие, это не детскость, а похвальное чувство юмора
-
Isla Bonita - Сообщения: 37
- Зарегистрирован: Чт ноя 29, 2007 22:37
- Откуда: Москва
pale_blu » Вт апр 22, 2008 17:37
вот интервью Саломе(кто-то с оф сайта перевел на английский.. слегка неудачно, но понять можно)
The Choreographer of the Stars
Salomé Brunner ° On the eve of the Swiss Nationals that begin tomorrow, the Zurich-native evokes her collaboration with Stephane Lambiel & Sarah Meier
Ariane Pellaton
She shapes the success of the bests. Being a former skater, Salomé Brunner is responsible for the choreographies of Stephane Lambiel, 2 times World Champion, and Sarah Meier, European silver medalist. Back in 1998, she polished the one for the Russian couple Angelika Krylova & Oleg Ovsiannikov that later won the World title. "I've received this hope from Heaven" slides in Salomé Brunner. What was her role in the shadow of the stars? "It's a privilege to accompany them. I've given some of my influence. If they weren't the athletes they are, they wouldn't skate at this level." Coming back from Cup of Russia with Stephane Lambiel, she breaches to welcome us in her hectic rythm that is hers...Thoughtful, caring.
Interviewer: Sarah Meier presents 2 news programmes, Stephane Lambiel a new short programme, on "Carne Cruda" tango. Which are their characteristics?
Sarah develops a romantic line, very smooth, very fluent. On his side, Stephane loves agressive themes, the rythms that are requiring high speed. Especially this year. I've noticed that he's very interested by that. Why? He's always in pursuit of new styles. Is the virile side involved in it? Certainly. More than ever. This season Stephane also gained a bigger capacity of moving faster. As an example the movements that he's set up are extremely difficult. He feels this virtuosity. Therefore this music is necessary. "Carne Cruda" distills til the microscopic tiny bit everything that composes his body and spirit.
At the beginning of the season, do Stephane Lambiel & Sarah Meier have a vision of their choreographies?
Sarah has got some ideas, but she doesn't dare to externalize them. She doesn't give enough value to them. When I suggest a movement, I can see that she has already understood and was already at that point. Stephane looks for the difficulty. Is it delicate to manage? It gives me energy. It's crazy: if every piece of the choreography is achievable, the assembling, on the other hand, turns out to be very arduous. When we create a new programme, we have the hope that he's gonna be able to achieves it, but we don't think it's gonna be possible. Without this impression, Stephane doesn't stay motivated very long...
In which way do you transcribe again those differences?
Stephane improvises a lot. Before 2005, he very often followed my suggestions. Today it's more him that creates, and I choose in his repertory. The external viewpoint allows him to find his gestures. Regarding Sarah, she needs my propositions. She observes the movements, copies them and adapts them to her own body. Because for all the dancers, there are postures where we don't feel at ease, not quite commensurate to our morphology & our character. Regarding assimilation? Sarah has always had recourse to changes on the technical side. More than Stephane. But the difference lies mostly in the structure of the programme...
You've frequently raised the creativity of Stephane Lambiel...
Yes. Last summer, when he joined the training camp in Oberstdorf with the national team, he was coming back from Japan. He had notably hanged around with a group of Spanish skaters and he felt the atmosphere of this country positively. Since that, he came home with an impressive creative energy. During 2 hours, he hasn't ceased to show me music pieces and movements. Like rarely.
Where does he take his inspiration from?
Stephane observes and stays opened to ideas. He puts his energy in it. Furthermore, he possess a huge capacity of movement, force and speed. While improvisating, he produces gestures never seen before, out of the repertory. When we catch them we don't let them go.
How is a choreography worked out?
We begin in May-June. I try to find gestures that matches the music. It's a style research. I often base it on improvisation, in order not to fall into the routine. Because in figure skating, we don't have many possibilities to avoid it: spins and jumps already bring one. Sometimes, we first lay elements. Or we work on the segments that we're most interested in: in the music, in the movements, in the strong points of the programme.
What do you privilege?
Honesty. The movements must imply the whole person. Come from the soul and have a signification, in opposition with the mecanical gestures. Besides, the programme has to be composed of both innovative music and gestures. Sometimes I'm bugged at seeing that some take back music pieces that have pleased people 20 years ago...For young athletes that can't be interesting. World has changed. Skaters are people from today!
What is the importance of choreography?
Everything gets conjugated as a whole. Technique is fundamental. Like choreography and the other aspects. In Stephane's LP, technical elements appear as a supplement. Accent is set on choreography. Therefore, the preparation for the jumps is very short. When one achieves it to show technical elements in a programme like this, it's marvellous.
You're the guardian angel of Stephane. Have you got more contact with him than with Sarah?
Yes. Sarah trains with her aunt. Together they build a real strong team. At the beginning of our cooperation, I've followed her a bit. I've sensed that my presence was useful for the setting of the programme, but not necessary anymore after that. Regarding Stephane, I'm a quiet pole. I act as a counterbalance when he gets angry, if he's got the impression there's a energy against him, or if somebody or something annoys him.
Since the 11 years you've spent time with him, does Stephane still amaze you?
Yes, often. In margin of a gala in St Petersburg, we were listenign to some music pieces in a café, on a CD player. After his stay in Japan, he's come along with a total different music piece that the one we had chosen. Sometimes, music pieces appear! Another story: during my whole life, I had never thought about a zebra while listening to Vivaldi! While he was suggesting it, I shrieked! Of surprise. At the beginning of that half-an-hour of him telling me the story, I was shocked. Afterwards I totally got it.
How can Stephane and Sarah progress?
Both always have a big desire to come forward. Sarah is so pretty, so sweet. She doesn't commit mistakes while taking this path. But I would like to find her new themes. I'm already looking for them. As to Stephane, I finding it important to take completely different directions. In order not to fall into a single style that fits him well.
Is it hard to orientate those choices?
Sometimes, I was having a very clear vision. However, the person to whick I was presenting the idea wasn't showing any interest or pleasure. In Stephane's case, I would not have the idea to choose certain music pieces. But in the end, only him has to draw energy from it.
The Choreographer of the Stars
Salomé Brunner ° On the eve of the Swiss Nationals that begin tomorrow, the Zurich-native evokes her collaboration with Stephane Lambiel & Sarah Meier
Ariane Pellaton
She shapes the success of the bests. Being a former skater, Salomé Brunner is responsible for the choreographies of Stephane Lambiel, 2 times World Champion, and Sarah Meier, European silver medalist. Back in 1998, she polished the one for the Russian couple Angelika Krylova & Oleg Ovsiannikov that later won the World title. "I've received this hope from Heaven" slides in Salomé Brunner. What was her role in the shadow of the stars? "It's a privilege to accompany them. I've given some of my influence. If they weren't the athletes they are, they wouldn't skate at this level." Coming back from Cup of Russia with Stephane Lambiel, she breaches to welcome us in her hectic rythm that is hers...Thoughtful, caring.
Interviewer: Sarah Meier presents 2 news programmes, Stephane Lambiel a new short programme, on "Carne Cruda" tango. Which are their characteristics?
Sarah develops a romantic line, very smooth, very fluent. On his side, Stephane loves agressive themes, the rythms that are requiring high speed. Especially this year. I've noticed that he's very interested by that. Why? He's always in pursuit of new styles. Is the virile side involved in it? Certainly. More than ever. This season Stephane also gained a bigger capacity of moving faster. As an example the movements that he's set up are extremely difficult. He feels this virtuosity. Therefore this music is necessary. "Carne Cruda" distills til the microscopic tiny bit everything that composes his body and spirit.
At the beginning of the season, do Stephane Lambiel & Sarah Meier have a vision of their choreographies?
Sarah has got some ideas, but she doesn't dare to externalize them. She doesn't give enough value to them. When I suggest a movement, I can see that she has already understood and was already at that point. Stephane looks for the difficulty. Is it delicate to manage? It gives me energy. It's crazy: if every piece of the choreography is achievable, the assembling, on the other hand, turns out to be very arduous. When we create a new programme, we have the hope that he's gonna be able to achieves it, but we don't think it's gonna be possible. Without this impression, Stephane doesn't stay motivated very long...
In which way do you transcribe again those differences?
Stephane improvises a lot. Before 2005, he very often followed my suggestions. Today it's more him that creates, and I choose in his repertory. The external viewpoint allows him to find his gestures. Regarding Sarah, she needs my propositions. She observes the movements, copies them and adapts them to her own body. Because for all the dancers, there are postures where we don't feel at ease, not quite commensurate to our morphology & our character. Regarding assimilation? Sarah has always had recourse to changes on the technical side. More than Stephane. But the difference lies mostly in the structure of the programme...
You've frequently raised the creativity of Stephane Lambiel...
Yes. Last summer, when he joined the training camp in Oberstdorf with the national team, he was coming back from Japan. He had notably hanged around with a group of Spanish skaters and he felt the atmosphere of this country positively. Since that, he came home with an impressive creative energy. During 2 hours, he hasn't ceased to show me music pieces and movements. Like rarely.
Where does he take his inspiration from?
Stephane observes and stays opened to ideas. He puts his energy in it. Furthermore, he possess a huge capacity of movement, force and speed. While improvisating, he produces gestures never seen before, out of the repertory. When we catch them we don't let them go.
How is a choreography worked out?
We begin in May-June. I try to find gestures that matches the music. It's a style research. I often base it on improvisation, in order not to fall into the routine. Because in figure skating, we don't have many possibilities to avoid it: spins and jumps already bring one. Sometimes, we first lay elements. Or we work on the segments that we're most interested in: in the music, in the movements, in the strong points of the programme.
What do you privilege?
Honesty. The movements must imply the whole person. Come from the soul and have a signification, in opposition with the mecanical gestures. Besides, the programme has to be composed of both innovative music and gestures. Sometimes I'm bugged at seeing that some take back music pieces that have pleased people 20 years ago...For young athletes that can't be interesting. World has changed. Skaters are people from today!
What is the importance of choreography?
Everything gets conjugated as a whole. Technique is fundamental. Like choreography and the other aspects. In Stephane's LP, technical elements appear as a supplement. Accent is set on choreography. Therefore, the preparation for the jumps is very short. When one achieves it to show technical elements in a programme like this, it's marvellous.
You're the guardian angel of Stephane. Have you got more contact with him than with Sarah?
Yes. Sarah trains with her aunt. Together they build a real strong team. At the beginning of our cooperation, I've followed her a bit. I've sensed that my presence was useful for the setting of the programme, but not necessary anymore after that. Regarding Stephane, I'm a quiet pole. I act as a counterbalance when he gets angry, if he's got the impression there's a energy against him, or if somebody or something annoys him.
Since the 11 years you've spent time with him, does Stephane still amaze you?
Yes, often. In margin of a gala in St Petersburg, we were listenign to some music pieces in a café, on a CD player. After his stay in Japan, he's come along with a total different music piece that the one we had chosen. Sometimes, music pieces appear! Another story: during my whole life, I had never thought about a zebra while listening to Vivaldi! While he was suggesting it, I shrieked! Of surprise. At the beginning of that half-an-hour of him telling me the story, I was shocked. Afterwards I totally got it.
How can Stephane and Sarah progress?
Both always have a big desire to come forward. Sarah is so pretty, so sweet. She doesn't commit mistakes while taking this path. But I would like to find her new themes. I'm already looking for them. As to Stephane, I finding it important to take completely different directions. In order not to fall into a single style that fits him well.
Is it hard to orientate those choices?
Sometimes, I was having a very clear vision. However, the person to whick I was presenting the idea wasn't showing any interest or pleasure. In Stephane's case, I would not have the idea to choose certain music pieces. But in the end, only him has to draw energy from it.
sometimes it's best to forget how you feel and remember what you deserve
-
pale_blu - Сообщения: 60
- Зарегистрирован: Вс мар 23, 2008 20:49